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Heartwood

Yet more stuff!

Gone

 

Gone is the wind, gentle and free.

Gone is the bird that sings to me.

Gone is the fire, blazing bright.

Gone, is my guiding light.

 

In a dark world, I am bereft of comfort,

For you, who have sustained me with your life,

You are gone.

Without you, all that is familiar acquires a ghostly pallor,

And I can hear the haunting music of the Otherworld.

Without your presence, I am lost in the world we created.

This Otherworld of ours, filled with

     beauty tarnished in your absence,

Silently cries out for you

In time with the beating of my heart.

You are gone, but what my mind knows,

     my heart cannot fathom: Gone.

 

Gone is the Wind, gentle and free,

Gone is the Bird that sang to me.

Gone is the Fire, blazing bright:

Gone is my guiding Light.

7/24/02

 

Standing In The Rain

 

This man standing here, in grey slacks

And a patched wool coat,

Watching for his train as the

Cold grey sky drenches the world with rain;

Or that woman there,

In a navy suit and hose

That have a run in them,

Who am I to judge them or their lives?

-- I do not know these people.

   I have never met him; couldn't tell you her name.

--But I see that he's just another writer,

   Still searching for the truth.

--I notice that she's a lonely advertising agent,

   Still trapped in a loveless marriage.

   These two random strangers,

   Who have never met me and do not know each other,

Stand a few feet apart in the pouring rain,

Waiting on the 5 o'clock train.

In his hand, he clutches a thick manila envelope

With a manuscript inside.

Perhaps today will be the day he finally

Opens an acceptance letter from a publisher.

 

And the woman, she stares blankly

Out into the gloom, with red-rimmed eyes,

Her mascara running down her cheeks.

It has been so long since she dared

To believe in love and honour,

That she knew so long ago

In the Camelot of childhood,

That she has given up hope of finding them again.

 

--These two nameless travellers,

   Sharing this life and

   Each lost in their own private despair,

   Remind me of my own joys and delights,

   For I have not lost

   The magic of Camelot.

 

--But who am I

   To pass judgment upon these wandering spirits?

 

3/23/03

I've revised this one, and this is how it stands (for now!).

Standing In The Rain

Man: grey slacks
And patched wool coat,
Watches for his train as the
Sky
Drenches the world with rain.
Woman: navy skirt-suit and barely-there-hose
With a run down one calf;

Grime-covered station-walls,
Waiting on the five o'clock.

She stares blankly
Out into the gloom, with
Red-rimmed eyes,
Mascara running down her cheeks.

He focuses dry eyes
On street-eaten leather;
Two soles that used to be black
Can't search anymore.

10/6/05

Borrowed Conversation: A Literary Antecedent in Pantoum Form


She lives as though she expects to live forever;
As if by denying reality,
Reality itself will
Not deny her.

By denying reality, she
Resists the mere idea
Of aging, of changing;
A breathing monument to callow youth.

Resisting a mere idea
Really shouldn’t be this difficult,
She thinks to herself
As she watches her skin wrinkle and lose its youthful vibrancy.

And it really shouldn’t be this hard
To fight the effects of time
To alone remain unravaged
Amidst her aged peers.

To fight the effects of time,
To deny herself the wisdom of years
And savour forever
The bittersweetness of eternal youth.

She denies herself wisdom,
As if she can deny reality forever;
And savour for all time
The semi-sour unreality that time should not deny her.

9/4/05


A/N: A literary antecedent is something that borrows from another work; in this case, I borrowed from a quote by Douglas MacArthur. A pantoum is a form of poetry that follows this pattern:

First line, first stanza
Second line, first stanza
Third line, first stanza
Fourth line, first stanza

Second line, first stanza
Second line, second stanza
Fourth line, first stanza
Fourth line, second stanza

Second line, second stanza
Second line, third stanza
Fourth line, second stanza
Fourth line, third stanza

etc.

Second line of penultimate stanza
First line of first stanza
Fourth line of penultimate stanza
Third line of first stanza

Well, Prof. Parker said it's beautiful writing, but it's all subtext. So, I had to revise (read: completely rewrite) this one, as well.

Preservation

Skin starts to sag, wrinkles dare form around hazel eyes;
Still she puts off another birthday, avoids another doctor's
appointment--
Hopes by ignoring these little reminders of her years
Her mirror will turn her lies into truth.

Porous bags of eggplant-purple, and sun-etched
Eyes
Rolls of flesh gathered on her forehead.
Thin, withered lips, two dried rose-petals,
Fallen from flower;
The smile almost reaches the eyes this time.

She wonders where her years have danced,
As she lifts a thin hand up to touch
Fine, greying hair.

10/5/05

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