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The Gate: My Stuff

This is my stuff...right now, probably just poetry, but, depending on the amount of time I can find, it may gain essays and short stories.

So I wrote this...drabble...the other day. It's based on The West Wing, but it's ambiguous enough that you don't need to have seen the show to understand.

Scene At Dawn

And before he can stop it, his right hand reaches out to brush the dark hair off the younger man's forehead. Despite being slightly damp from the sheen of sweat on his brow—it couldn't still be blood from the accident, could it? Oh, God, he's not still bleeding, please; but then his own fingers, paused mid-motion, would be red and sticky, and they're not—despite the sweat-damp, the other man's hair is very soft; surprisingly so. Or it would have been surprising if he'd ever consciously thought about it before now, which he hadn't. Oh, no, not him; he wasn't going there, absolutely not— So he stood there in an impersonal hospital room with his hand halfway through the gesture; realising this, he finished running his hand but not his thoughts. The reassuring beep of monitors and the constant suss of oxygen intrude on his introspection as sounds out of place in his world, in his image of the other man. When had he let this man get close to him, become important to him? This thought had been worrying at him for the past six hours like a horse nosing for sugar lumps; he still has no answer for it. Just, here, at dawn, the scene plays itself out to its silent not-end as the sun finds him caring, again.

This is another bit to go with the piece above; it's less ambiguous and less polished, but it serves.

Scene At Dawn: Prologue

swish-thunk. swish-thunk.
The sleet driving in makes driving out nearly impossible, but sometimes impossible's a necessity. Sitting in the driver's seat of his '93 Dodge Dart, he doesn't need to glance over at the man in the passenger seat. He knows the other man's tie will be loose, his dark hair slightly mussed, and he will have his rimless glasses on as he makes notes on his laptop. This is not the first late-night car-write they've done, though admittedly the Virginia winter is a little harsh this year. Third straight day of nasty frigidity, and the campaign trail makes it even more miserable. Polish the silver, polish the gilt words; now he does look over at his driving companion. They are on their way to meet the others at the hotel now. Returning his eyes to the road, he is unprepared for the solid pavement which had been reliably whooshing beneath his tires to be replaced with nothingness--no traction, wild spinning,
oh god, there's a pole up there--

Lost Soul

 

He came from nowhere, this stranger in the night

Standing there in the moonlight, he looked so lovely

With his night-dark hair and strange, colourless eyes.

He stood there for a moment, as if this moment were

Frozen in time, stood staring at everything and seeing nothing.

After that eternal moment had passed into oblivion,

There to be lost in time, he moved, going from moonbeam

To moonbeam; seeking something that was not to be found.

7/11/01

 

Soul Within

 

All is blackness, all is silence, in this lonely world.

You have lost your way, lost your soul.

Slipping through the moonlight, keeping company with shadows,

Little more than shadowed angel wings.

Look to see, listen to hear; find your soul.

Search the world, search forever; never dreaming

To look in the one place you fear most: within.

Look within and find your soul, Angel-mine.

7/19/01

I wrote Lost Soul in a Writing Camp a few summers back, and then my friend Mary (whose site is http://sweetydog.tripod.com) drew a picture as an illustration for it.  While she was inking it, I wrote Soul Within.  The picture never made it to publication, but Lost Soul did.

 

Golden Girl

 

She's a golden girl; she's got it all.

Everything's going her way and she's on top of the world.

She never thinks about the endless fall from Cloud Nine,

Because if she looks down, she's lost.

 

She's a silver girl, got that silver tongue

And the charm and wit to match.

She's amazing and talented, but the top is desperately lonely,

And she shines with reflected light.

 

She's a golden girl with a rich golden voice;

She's a silver girl distant as the silver moon.

And she never knows when it's all going to come crashing down

Around her like a Taj Mahal made of cards.

 

And she shines like gold and she shimmers like silver,

And wonders what she's missing; why is the top never enough?

When she gets there, the bar just moves higher:

Let's up the ante, Golden Girl, and see if you can top that.

 

And her fire burns cold and brilliant:

A distant star whose light

Could be extinguished

And the world would never know.

 

She's a golden girl, walking tall and proud.

She's a silver girl,

With silver tears making tracks

Down her face in the moonlight.

 

1/12/04

Memory and Sorrow

 

In these long-abandoned gardens,

Which possess a fey, overgrown beauty,

There are rumoured to walk ghosts.

The ghosts of children, perhaps,

Dead these eighteen years?

No, the ghosts that haunt these forgotten ruins

Are Sorrow--unbearable despair--and Memory--images of the past.

 

And Sorrow and Memory walk the grounds night and day.

Never are these gardens alone,

For they are traversed by Memory and Sorrow,

Two lovers throughout the ages,

Their presence a stark reminder of life's frailty.

These wild, overgrown regions,

Once so orderly, haunt the living

With their strange beauty

And stranger silence.

In this unnatural solitude,

The ghosts of Sorrow and Memory linger,

To remind the universe of what it has lost.

 

 



On Hallowed Ground

Clash of steel on steel, acrid stench of smoke
vision filled with blood and sparks that
Flare brightly, and, seconds later, fall to the
cold, slick earth, spent.

Sight fades
darkness surrounds
The sounds of battle ebb with an invisible tide
that will not be denied.

Stillness descends; heat leeches from fall forms
tht are sprawled on the muddied field, never to
Rise again
never to feel the spark of life.

Cold wind shrieks with the thousand voices of the damned
howling over silent remnants
Of chaos and destruction;
nature mourns the unnaturalness of humankind.

Far above the carnage, forces gather and thunder crashes in the darkness;
primordial spirits howl and shriek with rage
After each glimpse through lightning of the desecration
of their hallowed realms by warring forces of Man.

On the cold battlefield below, a dying spark is fanned
into white heat by hate; fires blaze among the dead,
Whose voices scream as they writhe in eternal agony
in a momentary inferno.

Wraiths, twisted forms,
faces frozen masks of agony and hate,
Rise from the plain slick with the lifeblood of thousands,
to do battle once more on hallowed ground.

And the wind slashes through their misty forms,
inflicting wounds of spirit upon the wraiths
Whose corporeal shells lie crumpled,
lifeless, beneath the feet of primordial spirits.

The fires of hate blaze hotter and hotter,
fueled by the rage of men denied rest,
Men dead upon this sacred battlefield,
who, with their blood, have consecrated this ground.

As the spectral hosts march onward, ghostly screams fade into the night,
and frozen silence descends upon the plain once more,
Broken only by the memories of those whose sparks no longer glow,
whose voices moan and shriek with the icy wind through the surreal death scene.


Not one of my happier pieces, needless to say.

Clear Glass Hand Pointing Right
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Red Hand Pointing Left
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Stonehenge

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